A short film shot in Maramureș this summer has already met success, with three prizes already won at three short film festivals – so far! The synopsis of the film is centred around love: (from the filmmakers:) In a small village in the North of Transilvania, where everyone is expected to have the same life as others, a young girl dares to feel different. Something, deep down herself, will make her choose another path. Continue reading “Vreu” (“I want”) – in search of love in the Călinești village→
It is more than seven years now since I and my wife Cristina undertook our month-long trip to Maramureș. Ever since, I wanted to publish a book about the region, focusing on its people and its artists. At the time – 2009 – there were very few photography books on the region, albeit some of the very best (“Maramureș”, by a Maramureș loving Japanese who discovered the region by accident, during communist times – Miya Kosei – which I regard as the most beautiful and sincere photography book about the region, as well as “Maramures: The Land of Wood“, the beautiful black and white photography of Ana Bârcă). Continue reading The People of Maramureș→
2016 started on a sad note. Godja Pătru Pupăză, a fable like character, passed away on 3 January. He was 81 years old.
I met the artist in the summer of 2009, at his home in Valea Stejarului. Those were very happy times. He was surrounded by his family, his son-in-law was carving a Maramureș cross “troiță”, his nephew was strolling around, at times making attempts to help his father chisel the wooden cross, despite the fact that he had yet to learn to speak.
I made this interview of Teodor Bârsan in his workshop, back in October 2005. The digital video technique – and especially the one I had in my hands at the time was not the best. But that matters not, as you will still be able to feel who Teodor Bârsan is and how he carves the beautiful things – small and large – that he does. For a small portrait of Bârsan, please also visit this link.
Perhaps nobody else embodies more fully the traditional wood carving craftsmanship of Maramureş than Teodor Bârsan of the Bârsana village. It may be no coincidence that his talent flourished in a village which has more wood carvers than any other village in Maramureş: Bârsana is strewn with beautifully carved old wooden gates and numerous wooden houses and boasting two wooden churches one being on UNESCO’s World Heritage List and the other one being one of the most beautiful monasteries of Maramureş.
I thanked Saint Peter for finding Gavrilă Hotico-Herenta at home in his Ieud village – it was 29th June and work across all villages of Maramureş was grounded to a halt in observance of one of the most important religious festivities of the year. Otherwise, it would have been impossible to get hold of him, as it is several decades now that he moves between various sites across Romania, which his wife can attest.