A short film shot in Maramureș this summer has already met success, with three prizes already won at three short film festivals – so far! The synopsis of the film is centred around love: (from the filmmakers:) In a small village in the North of Transilvania, where everyone is expected to have the same life as others, a young girl dares to feel different. Something, deep down herself, will make her choose another path. Continue reading “Vreu” (“I want”) – in search of love in the Călinești village
To understand Maramureș, one needs to understand the role that religion has played in this region throughout history. Just looking at the magnificent century old wooden churches present in almost every village, one can sense how important faith is for the identity of these people. God is omnipresent in the everyday life. The most common greeting that is heard in the villages is “Salutăm pe Isus! (Jesus be hailed!), to which the answer is “În veci, amin!” (Always and forever!).
Among religious festivities, Easter is perhaps the most important, even more important than Christmas. Continue reading Easter in Maramureș
click on the photo to access the pdf book
It is more than seven years now since I and my wife Cristina undertook our month-long trip to Maramureș. Ever since, I wanted to publish a book about the region, focusing on its people and its artists. At the time – 2009 – there were very few photography books on the region, albeit some of the very best (“Maramureș”, by a Maramureș loving Japanese who discovered the region by accident, during communist times – Miya Kosei – which I regard as the most beautiful and sincere photography book about the region, as well as “Maramures: The Land of Wood“, the beautiful black and white photography of Ana Bârcă).
Continue reading The People of Maramureș
2016 started on a sad note. Godja Pătru Pupăză, a fable like character, passed away on 3 January. He was 81 years old.
I met the artist in the summer of 2009, at his home in Valea Stejarului. Those were very happy times. He was surrounded by his family, his son-in-law was carving a Maramureș cross “troiță”, his nephew was strolling around, at times making attempts to help his father chisel the wooden cross, despite the fact that he had yet to learn to speak.
I thanked Saint Peter for finding Gavrilă Hotico-Herenta at home in his Ieud village – it was 29th June and work across all villages of Maramureş was grounded to a halt in observance of one of the most important religious festivities of the year. Otherwise, it would have been impossible to get hold of him, as it is several decades now that he moves between various sites across Romania, which his wife can attest.
In Săcel, another wonder has survived the centuries: unglazed, red ceramic pottery. It is the only place in Romania where unglazed red pottery is still produced. The family of Tănase Burnar of Săcel has been making ceramic ware for more than eleven generations. The technique is the same as the one in the prehistoric La Tène period in Dacia, using a very unique, greasy type of clay found in the area at 12 to 15 meters depth in the hills near the village.